• The Pit
    The Pit, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    25 5/8 x 19 in (65.1 x 48.3 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Puppy
    Puppy, 1999
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Their First Little Murder
    Their First Little Murder, 1997
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    11 1/2 x 10 1/4 in (29.2 x 26 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • It's a Wonderful Life
    It's a Wonderful Life, 1999
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • She Smells Bad
    She Smells Bad, 1997
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • She is a "Retard" and Will Never Tell
    She is a "Retard" and Will Never Tell, 1997
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Winner Takes All
    Winner Takes All, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    8 1/4 x 15 1/4 in (21 x 38.7 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Sacrifice (They All Must Be Sacrificed)
    The Sacrifice (They All Must Be Sacrificed), 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.7 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Father
    The Father, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    13 3/4 x 12 3/4 in (34.9 x 32.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Shoot Animals Not Drugs
    Shoot Animals Not Drugs, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    8 1/2 x 15 1/4 in (21.6 x 38.7 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Second Millennium
    The Second Millennium, 1997
    Graphite, gouache, and watercolor on white Strathmore Bristol board mounted on canvas
    52 3/4 x 55 3/8 in (134 x 140.7 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Pit is Captured and Taken to the Pound
    Pit is Captured and Taken to the Pound, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Flick of a Switch
    Flick of a Switch, 1998
    Graphite, gouache, and watercolor on heavy brown hand-made paper mounted on white Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Death Row Dogs
    Death Row Dogs, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Fate of the Abandoned
    The Fate of the Abandoned, 1999
    Watercolor and graphite on sketchbook page mounted on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Eden Biotechnologies Ltd. "Getting it Right the First Time"
    Eden Biotechnologies Ltd. "Getting it Right the First Time", 1999
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Ambition
    Ambition, 1999
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Upper Primates and the Lower Primates
    The Upper Primates and the Lower Primates, 1997
    Graphite, gouache, and watercolor on heavy gray hand-made paper
    17 1/4 x 23 in (43.8 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Monkey Business
    Monkey Business, 1997
    Graphite, gouache, and watercolor on paper mounted on canvas
    59 x 53 in (149.9 x 134.6 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Testing on Prisoners
    Testing on Prisoners, 1999
    Graphite, gouache, and watercolor on heavy brown hand-made paper mounted on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Resurrected for Science
    Resurrected for Science, 1999
    Graphite on white Strathmore Bristol board, mounted on large sheet of Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Scientists Find a Cure for Empathy
    Scientists Find a Cure for Empathy, 1997
    Graphite, gouache, and watercolor on paper mounted on canvas
    53 1/2 x 52 1/4 in (135.9 x 132.7 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Cross Your Heart and Hope to Die
    Cross Your Heart and Hope to Die, 1998
    Graphite, gouache, and watercolor on heavy brown hand-made paper, mounted on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Found
    Found, 1998
    Graphite and watercolor on tan sketchbook paper mounted, on white Strathmore Bristol board
    6 1/2 x 5 1/8 in (16.5 x 13 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • They Were Interested in My Case
    They Were Interested in My Case, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Buffoonery
    Buffoonery, 1997
    Graphite, gouache, and watercolor on thin brown hand-made paper mounted on white Strathmore Bristol board
    9 1/8 x 11 in (23.2 x 27.9 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Deadly Virus
    Deadly Virus, 1997
    Graphite, gouache, and watercolor on heavy tan hand-made paper
    20 x 25 3/4 in (50.8 x 65.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Animal Therapists aka Therapy Animals Visit the Hospice
    Animal Therapists aka Therapy Animals Visit the Hospice, 1999
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • It's Cold and They Don't Have Their Coats
    It's Cold and They Don't Have Their Coats, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    7 3/4 x 16 1/2 in (19.7 x 41.9 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Fight to the Death
    Fight to the Death, 1998
    Graphite, gouache, and watercolor on white Strathmore Bristol board
    29 x 23 in (73.7 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Bite
    The Bite, 1999
    Graphite on heavy paper, mounted on white Strathmore Bristol board
    14" x 9 1/2" (35.6 x 24.2 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • Moths Flying into the Moon
    Moths Flying into the Moon, 1999
    Graphite, gouache and watercolor on white Strathmore Bristol board
    29 x 23 in (73.7 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • The Dissection Class
    The Dissection Class, 1998
    Graphite, gouache and watercolor on white Strathmore Bristol board
    29 x 23 in (73.7 x 58.4 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
  • She Can't Catch Up
    She Can't Catch Up, 1998
    Watercolor on brown hand-made paper mounted on Strathmore Bristol board
    8 3/4 x 8 in (22.2 x 20.3 cm)
    Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)