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If Animals Believed in God, the Devil Would Look like a Human Being, 2004Two color lithograph on white German etching paper22 3/8 x 15 5/8 in (56.8 x 39.7 cm)Edition of 51Series: Animal RightsMore -
Terrorists or Freedom Fighters?, 2004Lithograph on heavy cream Rives BFK wove paper with red screenprint text29 5/8 x 24 in (75.3 x 61 cm)Edition of 50 plus 5 APSeries: Animal RightsMore
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Queenie Escapes the Slaughterhouse, 2001Color reproduction posterFundraiser for In Defense of Animals and United Poultry ConcernsMore
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They Need a Good Lawyer, 2000Etching on heavy white Rives paper5 x 6 in (12.7 x 15.2 cm)Edition of 300 plus 10 APSeries: Animal RightsMore
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Belgrade Zoo: Mad Rhino, 1999Lithograph on heavy white wove paper34 x 24 in (86.4 x 61 cm)Edition of 11Series: ZoochosisMore
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The Fate of the Abandoned, 1999Lithograph on cream Arches paper17 x 15 in (43.2 x 38.1 cm)Edition of 50 plus 1 artist's proofSeries: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)More
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Belgrade Zoo: Mad Tiger, 1999Lithograph on heavy white wove paper33 3/4 x 23 1/2 in (85.7 x 59.7 cm)Edition of 7 plus 1 APSeries: ZoochosisMore
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Go Vegetarian, 1999Color photographic reproduction10 x 20 7/8 in (25.4 x 53.0 cm)From the estimated edition of 500 impressionsSeries: Animal RightsMore
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Xenotransplantation, 1998Lithograph on off-white, gray and tan wove paper10 x 8 1/2 in (25.4 x 21.6 cm)Edition of 60Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)More
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They Made Themselves Extinct, 1997Lithograph on antique Somerset Satin paper20 x 15 in (50.8 x 38.1 cm)Edition of 108 plus 10 artist's proofsSeries: Animal RightsMore
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Upper and Lower Primates, 1997Lithograph on antique Somerset Satin paper20 x 15 in (50.8 x 38.1 cm)Edition of 64 plus 3 artist's proofsSeries: Animal RightsMore
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Turnabout is Fair Play, 1996Photo-etching on white heavy weight Rives paper14 x 11 in (35.6 x 27.9 cm)Edition of 1000 plus 10 APSeries: Animal RightsMore
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Standing Pig, 1993Etching on gray B.F.K. Rives paper9 x 11 3/4 in (22.8 x 29.9 cm)Edition of 18 plus 2 artist's proofsSeries: PorkopolisMore
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It's a Picnic, 1992Photo-etching on white heavyweight Rives paper16 1/4 x 11 5/8 in (41.3 x 29.5 cm)Edition of 250 plus 25 APSeries: PorkopolisMore
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Jimmy Carrying Veal, 1991Etching with aquatint on white heavyweight Rives paper11 3/8 x 7 in (28.9 x 17.8 cm)Edition of 125Series: PorkopolisMore
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Selection for Slaughter, 1991Etching and aquatint on buff Arches paper18 x 12 in (45.7 x 30.5 cm)Edition of 60 plus 10 APSeries: PorkopolisMore
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Stockyard, 1991Etching with aquatint on white heavyweight Rives paper10 1/4 x 7 1/2 in (26 x 19.1 cm)Edition of 75 plus 5 APSeries: PorkopolisMore
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Just Say No, 1991Photo-etching on white heavyweight Rives paper7 3/8 x 8 7/8 in (18.7 x 22.5 cm)Edition of 150 plus 15 APSeries: PorkopolisMore
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Feed Lot, 1991Lithograph on white heavyweight Arches Cover paper18 3/8 x 18 1/8 in (46.6 x 35.9 cm)Edition of 100 plus 10 artist's proofsSeries: PorkopolisMore
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The Selection, 1991Lithograph on cream B.F.K. Rives paper30 x 22 in (76.2 x 55.9 cm)Edition of 20 plus 2 artist's proofsSeries: PorkopolisMore
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The Veal Skinner, 1991Lithograph on cream Rives BFK paper30 x 22 in (76.2 x 55.9 cm)Edition of 24 plus 2 artist's proofsSeries: PorkopolisMore
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Where's the Good Shepherd?, 1991Etching and aquatint on white heavyweight Rives paper12 x 8 1/8 in (30.5 x 20.6 cm)Edition of 125 plus 16 APSeries: PorkopolisMore
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Exxon Gets Away with Murder, 1990Etching on white heavyweight Rives paper5 1/8 x 3 1/2 in (13.2 x 8.9 cm)Edition of 175 plus 12 artist's proofsSeries: PorkopolisMore
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Judas Goat, 1990Etching and aquatint on white heavyweight Rives paper9 3/4 x 16 in (24.7 x 40.6 cm)Edition of 100 plus 12 artist's proofsSeries: PorkopolisMore
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Modern Man Followed by the Ghosts of His Meat, 1990Photo-etching on white heavyweight Rives paper10 1/2 x 14 in (26.7 x 35.6 cm)Edition of 1074 plus 20 artist's proofsSeries: PorkopolisMore
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The Tail That Wagged the Dog, 1990Suite of fourteen prints. Two linoleum cuts (#1 and #10) on Tosa Hanga paper; 12 etchings with aquatint (#2-9, 12-14) on Rives heavyweight white,
with cover sheet and portfolio case (Speckletone Kraft Coverstock).8 x 4 3/4 in (20.3 x 12.1 cm)Edition of 60 plus 12 APMore -
The Ark, 1990Etching and aquatint on white heavyweight Rives paper10 x 8 in (25.4 x 20.3 cm)Edition of 102 plus 12 artist's proofsSeries: PorkopolisMore
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Singeing, 1990Etching and aquatint on white heavyweight Rives paper9 x 9 in (23 x 22.9 cm)Edition of 75 plus 5 APSeries: PorkopolisMore
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Denver, 1989Aquatint on white heavyweight Rives paper9 3/4 x 15 1/4 in (24.9 x 38.7 cm)Final edition of 31Series: PorkopolisMore
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Sticking, 1989Etching and aquatint on white heavyweight Rives paper5 5/8 x 8 1/2 in (14.3 x 21.6 cm)Edition of 75 plus 5 APSeries: PorkopolisMore
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The Hot Floor, 1989Etching and aquatint on white heavyweight Rives paper7 3/4 x 7 1/4 in (19.7 x 18.4 cm)Edition of 45Series: PorkopolisMore
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The Working Class, 1989Etching on white heavyweight Rives paper6 x 3 in (15.2 x 7.6 cm)Edition of 250 plus 12 artist's proofsMore
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The Boot, 1989Etching and aquatint on white heavyweight Rives paper9 x 5 7/8 in (22.9 x 14.9 cm)Edition of 45Series: PorkopolisMore
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What's Your Cut?, 1989Etching on white heavyweight Rives paper4 3/4 x 8 7/8 in (12.1 x 22.5 cm). Sheet sizes varyFinal edition of 177 plus 16 APSeries: PorkopolisMore
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Meat and Pork for Your Fork, 1987Lithograph on buff Rives BFK paper (numbers 1–29) and tan Rives BFK paper (numbers 30-50)30 1/8 x 22 1/8 in (76.5 x 56.2 cm)Edition of 50 plus 10 APSeries: PorkopolisMore
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Colorado, 1989Etching and aquatint on white heavyweight Rives paper7 1/2 x 4 3/8 in (19 x 11.1 cm)Edition of 78 plus 4 artist's proofsSeries: PorkopolisMore
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Hot House Lambs, 1989Etching and aquatint on white heavyweight Rives paper4 1/4 x 4 3/4 in (10.8 x 12.1 cm)Edition of 80 plus 6 artist's proofsSeries: PorkopolisMore
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Iowa, 1989Etching and aquatint on white heavyweight Rives paper13 x 9 3/8 in (32.9 x 23.8 cm)Edition of 45 plus 5 APSeries: PorkopolisMore
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Pig Improvement Company, 1989Etching and aquatint on heavy, off-white white watermarked Rives paper12 1/2 x 12 in (31.8 x 30.5 cm)Edition of 74Series: PorkopolisMore
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The Nocking Pen, 1988Etching and aquatint on white heavyweight Rives paper9 1/2 x 6 3/8 in (24.2 x 16.2 cm)Edition of 46 plus 6 APSeries: PorkopolisMore
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Hunt a Tory Save a Fox, 2012Lithograph in red and black on heavy white wove Japan paper14" x 12" (35.6 x 30.5 cm)Edition of 32Series: The Badger Cull ProjectMore
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Standing Pig, 1993Lithograph on gray or tan B.F.K. Rives paper22" x 30" (55.9 x 76.2 cm)Edition of 25 plus 3 artist's proofsSeries: PorkopolisMore
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