www.suecoe.com
Skip to main content
  • Menu
  • About the Artist
  • Art
  • Books
  • Activism
  • Exhibitions
  • On View
  • Press
  • Contact
  • Video
  • Shop
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • Animal Rights, 1988-present

    Usually an artist is known for only one body of work, but I’m lucky that I’m known for two: the ongoing project about animal rights and the rape painting, which is now at MoMA PS1. The former work continues, and I’m always learning. As I see it, animals liberate themselves. They need our help, but it’s not Lord and Lady Bountiful saving them. I’m aghast at how animal rights today have become all about the human diet—about being gluten-free. Animal liberation is a social-justice issue, and I’ve always promoted the abolitionist approach: eradication of all use. But now animal rights have been twisted into the market, where the meat industry disrupts itself by buying up vegan food producers.
    Sue Coe, The Nocking Pen, 1988 (View more details about this item in a popup).
    Sue Coe, What's Your Cut?, 1989 (View more details about this item in a popup).
    Sue Coe, Mobilize/The Gulf, 1990 (View more details about this item in a popup).
    Sue Coe, Go Vegan and Nobody Gets Hurt, 2010 (View more details about this item in a popup).
    Sue Coe, Go Vegan, 2016 (View more details about this item in a popup).
    Sue Coe, Happy Meat, 2015 (View more details about this item in a popup).
    Sue Coe  B. 1951The Auction, 1988  Signed, dated, and with Metropolitan Museum chop, lower right. Numbered 2/100, lower left  Photo-etching with silkscreen and hand coloring on cream B.F.K. Rives paper  13 1/4" x 145/8" (33.6 x 37.2 cm)  From the estimated edition of 100 impressions (View more details about this item in a popup).
    Sue Coe, Sticking, 1989 (View more details about this item in a popup).
    Sue Coe, The Hot Floor, 1989 (View more details about this item in a popup).
    Sue Coe, The Boot, 1989 (View more details about this item in a popup).
    Sue Coe, Colorado, 1989 (View more details about this item in a popup).
    Sue Coe, Iowa, 1989 (View more details about this item in a popup).
    Sue Coe, Singeing, 1990 (View more details about this item in a popup).
    Sue Coe, Modern Man Followed by the Ghosts of His Meat, 1990 (View more details about this item in a popup).
    Sue Coe, Exxon Gets Away with Murder, 1990 (View more details about this item in a popup).
    Sue Coe, Just Say No, 1991 (View more details about this item in a popup).
    Sue Coe, Where's the Good Shepherd?, 1991 (View more details about this item in a popup).
    Sue Coe, Selection for Slaughter, 1991 (View more details about this item in a popup).
    Sue Coe, It's a Picnic, 1992 (View more details about this item in a popup).
    Sue Coe, The Nocking Pen, 1988
Privacy Policy
Manage cookies
© 2025 Sue Coe
Site by Artlogic
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Join the mailing list
Send an email

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Sign up!

* denotes required fields

You are receiving this message because you submitted your email address in person, in the Galerie St. Etienne’s guest book, or online, through either gseart.com or suecoe.com or by registering for a prior webinar. Your contact information will only ever be used for correspondence pertaining to Sue Coe or to the Galerie St. Etienne, and it will never be shared.