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Ham Scrubber, 1988Watercolor and graphite on white Strathmore Bristol board21 x 21 in (53.3 x 53.3 cm) -
Electrocution, 1988Watercolor and graphite on white Bristol Strathmore paper29 x 23 1/8 in (73.5 x 58.8 cm)Series: Porkopolis
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New York City Meat Market 6 AM, 1988Watercolor and graphite on white Strathmore Bristol board29 x 23 1/8 in (73.5 x 58.8 cm)Series: Porkopolis
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Factory Farm, 1988Watercolor, gouache, and graphite on white Strathmore Bristol board29 x 23 1/8 in (73.5 x 58.8 cm)Series: Porkopolis
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Teeth Cutting, 1989Graphite on off-white wove paper15 x 10 in (38.1 x 25.4 cm)Series: Porkopolis & Dead Meat & Cruel
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McWorld, 1991Graphite, ink and gouache on white Strathmore Bristol board29 x 23 in (73.6 x 58.4 cm)Series: Porkopolis
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Ear Notching, 1989Graphite on off-white paper15 x 10 in (38.1 x 25.4 cm)Series: Porkopolis & Dead Meat & Cruel
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Egg Machines, 1991Graphite and gouache on white Strathmore Bristol board40 x 30 in (101.6 x 76.2 cm)Series: Porkopolis
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Poultry Packing Fire, 1991Pastel, gouache, and pencil on Strathmore Bristol board48 3/4 x 40 in (123.8 x 101.6 cm)Series: Porkopolis
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Feed Lot, 1991Conté crayon and gouache on white Strathmore Bristol board40 x 30 in (101.6 x 76.2 cm)Series: Porkopolis
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Beef Feedlot, 1990Ink and gouache on Strathmore Bristol board15 x 11 5/8 in (38.4 x 29.5 cm)Series: Porkopolis and Dead Meat
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Pork Cutting Wheel, 1988Watercolor, gouache, and graphite on white Strathmore Bristol board29 x 23 1/8 in (73.5 x 58.8 cm)Series: Porkopolis
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Scalding Tank, 1988Watercolor, gouache, and graphite on white Bristol Strathmore board29 x 23 1/8 in (73.5 x 58.7 cm)Series: Porkopolis
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Artificial Insemination, 1988Watercolor and graphite on beige Strathmore Bristol board30 x 22 in (76 x 55.9 cm)Series: Porkopolis
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Modern Man Followed by the Ghosts of His Meat, 1990Photo-etching on white heavyweight Rives paper10 1/2 x 14 in (26.7 x 35.6 cm)Edition of 1063 plus 20 artist's proofsSeries: Porkopolis
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The Ark, 1990Etching and aquatint on white heavyweight Rives paper10 x 8 in (25.4 x 20.3 cm)Edition of 102 plus 12 artist's proofsSeries: Porkopolis
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Where's the Good Shepherd?, 1991Etching and aquatint on white heavyweight Rives paper12 x 8 1/8 in (30.5 x 20.6 cm)Edition of 125 plus 16 APSeries: Porkopolis
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The Working Class, 1989Etching on white heavyweight Rives paper6 x 3 in (15.2 x 7.6 cm)Edition of 250 plus 12 artist's proofs
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What's Your Cut?, 1989Etching on white heavyweight Rives paper4 3/4 x 8 7/8 in (12.1 x 22.5 cm). Sheet sizes varyFinal edition of 177 plus 16 APSeries: Porkopolis
