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Sue Coe: Dead Meat: Hanes Art Center, University of North Carolina, Chapel Hill, NC

Past exhibition
20 September - 10 October 1996
  • Ham Scrubber, 1988 Watercolor and graphite on white Strathmore Bristol board 21 x 21 in (53.3 x 53.3 cm)
    Ham Scrubber, 1988
    Watercolor and graphite on white Strathmore Bristol board
    21 x 21 in (53.3 x 53.3 cm)
  • Electrocution, 1988 Watercolor and graphite on white Bristol Strathmore paper 29 x 23 1/8 in (73.5 x 58.8 cm) Series: Porkopolis
    Electrocution, 1988
    Watercolor and graphite on white Bristol Strathmore paper
    29 x 23 1/8 in (73.5 x 58.8 cm)
    Series: Porkopolis
  • New York City Meat Market 6 AM, 1988 Watercolor and graphite on white Strathmore Bristol board 29 x 23 1/8 in (73.5 x 58.8 cm) Series: Porkopolis
    New York City Meat Market 6 AM, 1988
    Watercolor and graphite on white Strathmore Bristol board
    29 x 23 1/8 in (73.5 x 58.8 cm)
    Series: Porkopolis
  • Factory Farm, 1988 Watercolor, gouache, and graphite on white Strathmore Bristol board 29 x 23 1/8 in (73.5 x 58.8 cm) Series: Porkopolis
    Factory Farm, 1988
    Watercolor, gouache, and graphite on white Strathmore Bristol board
    29 x 23 1/8 in (73.5 x 58.8 cm)
    Series: Porkopolis
  • Teeth Cutting, 1989 Graphite on off-white wove paper 15 x 10 in (38.1 x 25.4 cm) Series: Porkopolis & Dead Meat & Cruel
    Teeth Cutting, 1989
    Graphite on off-white wove paper
    15 x 10 in (38.1 x 25.4 cm)
    Series: Porkopolis & Dead Meat & Cruel
  • McWorld, 1991 Graphite, ink and gouache on white Strathmore Bristol board 29 x 23 in (73.6 x 58.4 cm) Series: Porkopolis
    McWorld, 1991
    Graphite, ink and gouache on white Strathmore Bristol board
    29 x 23 in (73.6 x 58.4 cm)
    Series: Porkopolis
  • Ear Notching, 1989 Graphite on off-white paper 15 x 10 in (38.1 x 25.4 cm) Series: Porkopolis & Dead Meat & Cruel
    Ear Notching, 1989
    Graphite on off-white paper
    15 x 10 in (38.1 x 25.4 cm)
    Series: Porkopolis & Dead Meat & Cruel
  • Egg Machines, 1991 Graphite and gouache on white Strathmore Bristol board 40 x 30 in (101.6 x 76.2 cm) Series: Porkopolis
    Egg Machines, 1991
    Graphite and gouache on white Strathmore Bristol board
    40 x 30 in (101.6 x 76.2 cm)
    Series: Porkopolis
  • Poultry Packing Fire, 1991 Pastel, gouache, and pencil on Strathmore Bristol board 48 3/4 x 40 in (123.8 x 101.6 cm) Series: Porkopolis
    Poultry Packing Fire, 1991
    Pastel, gouache, and pencil on Strathmore Bristol board
    48 3/4 x 40 in (123.8 x 101.6 cm)
    Series: Porkopolis
  • Feed Lot, 1991 Conté crayon and gouache on white Strathmore Bristol board 40 x 30 in (101.6 x 76.2 cm) Series: Porkopolis
    Feed Lot, 1991
    Conté crayon and gouache on white Strathmore Bristol board
    40 x 30 in (101.6 x 76.2 cm)
    Series: Porkopolis
  • Beef Feedlot, 1990 Ink and gouache on Strathmore Bristol board 15 x 11 5/8 in (38.4 x 29.5 cm) Series: Porkopolis and Dead Meat
    Beef Feedlot, 1990
    Ink and gouache on Strathmore Bristol board
    15 x 11 5/8 in (38.4 x 29.5 cm)
    Series: Porkopolis and Dead Meat
  • Pork Cutting Wheel, 1988 Watercolor, gouache, and graphite on white Strathmore Bristol board 29 x 23 1/8 in (73.5 x 58.8 cm) Series: Porkopolis
    Pork Cutting Wheel, 1988
    Watercolor, gouache, and graphite on white Strathmore Bristol board
    29 x 23 1/8 in (73.5 x 58.8 cm)
    Series: Porkopolis
  • Scalding Tank, 1988 Watercolor, gouache, and graphite on white Bristol Strathmore board 29 x 23 1/8 in (73.5 x 58.7 cm) Series: Porkopolis
    Scalding Tank, 1988
    Watercolor, gouache, and graphite on white Bristol Strathmore board
    29 x 23 1/8 in (73.5 x 58.7 cm)
    Series: Porkopolis
  • Artificial Insemination, 1988 Watercolor and graphite on beige Strathmore Bristol board 30 x 22 in (76 x 55.9 cm) Series: Porkopolis
    Artificial Insemination, 1988
    Watercolor and graphite on beige Strathmore Bristol board
    30 x 22 in (76 x 55.9 cm)
    Series: Porkopolis
  • Modern Man Followed by the Ghosts of His Meat, 1990 Photo-etching on white heavyweight Rives paper 10 1/2 x 14 in (26.7 x 35.6 cm) Edition of 1074 plus 20 artist's proofs Series: Porkopolis
    Modern Man Followed by the Ghosts of His Meat, 1990
    Photo-etching on white heavyweight Rives paper
    10 1/2 x 14 in (26.7 x 35.6 cm)
    Edition of 1074 plus 20 artist's proofs
    Series: Porkopolis
  • The Ark, 1990 Etching and aquatint on white heavyweight Rives paper 10 x 8 in (25.4 x 20.3 cm) Edition of 102 plus 12 artist's proofs Series: Porkopolis
    The Ark, 1990
    Etching and aquatint on white heavyweight Rives paper
    10 x 8 in (25.4 x 20.3 cm)
    Edition of 102 plus 12 artist's proofs
    Series: Porkopolis
  • Where's the Good Shepherd?, 1991 Etching and aquatint on white heavyweight Rives paper 12 x 8 1/8 in (30.5 x 20.6 cm) Edition of 125 plus 16 AP Series: Porkopolis
    Where's the Good Shepherd?, 1991
    Etching and aquatint on white heavyweight Rives paper
    12 x 8 1/8 in (30.5 x 20.6 cm)
    Edition of 125 plus 16 AP
    Series: Porkopolis
  • The Working Class, 1989 Etching on white heavyweight Rives paper 6 x 3 in (15.2 x 7.6 cm) Edition of 250 plus 12 artist's proofs
    The Working Class, 1989
    Etching on white heavyweight Rives paper
    6 x 3 in (15.2 x 7.6 cm)
    Edition of 250 plus 12 artist's proofs
  • What's Your Cut?, 1989 Etching on white heavyweight Rives paper 4 3/4 x 8 7/8 in (12.1 x 22.5 cm). Sheet sizes vary Final edition of 177 plus 16 AP Series: Porkopolis
    What's Your Cut?, 1989
    Etching on white heavyweight Rives paper
    4 3/4 x 8 7/8 in (12.1 x 22.5 cm). Sheet sizes vary
    Final edition of 177 plus 16 AP
    Series: Porkopolis
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