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All Good Art is Political: Käthe Kollwitz and Sue Coe: Galerie St. Etienne, New York, NY

Past exhibition
26 October 2017 - 10 March 2018
  • Works
  • Press
  • Drawing by Sue Coe showing a woman with hear head in her hands, surrounded by missiles. A sign around her neck reads "Health Care Not War Fare"

    Arts: All art is political, but with that comes empathy

    David A. Smith, Waco Herald-Tribune, January 3, 2018
  • Drawing by Sue Coe showing police confronting an unarmed rioter

    All Good Art is Political: Käthe Kollwitz and Sue Coe" Comics Workbook Rowhouse Residency

    Aaron Cockle, Daily News, January 2, 2018
  • Sue Coe: Getting the Chop, 1989, graphite, gouache and watercolor on white Strathmore Bristol board. 30 x 40 in (76.2 x 101.6 cm). From the series Porkopolis.

    Points of View

    Peter Schjeldahl, The New Yorker, January 1, 2018
  • Woodcut by Sue Coe featuring animals marching together holding a banner up that reads "abolition," in the style of Kollwitz

    Art With Message

    Steven Heller, Art Print Magazine, December 29, 2017
  • Linocut by Sue Coe in the style of Kollwitz showing a caricature of Donald Trump grabbing the Statue of Liberty from behind

    Sue Coe and Käthe Kollwitz's political art in sisterly solidarity at Galerie St. Etienne, New York

    Ilana Napoli, Artblog, November 26, 2017
  • Painting by Sue Coe of the Bernard Goetz subway shooting: Vigilante, 1985, Mixed media and collage on canvas, 96 x 120 in (243.8 x 304.8 cm)

    Social Commentary in Black and White: Käthe Kollwitz and Sue Coe at Galerie St. Etienne

    Jerry Weiss, LINEA: Studio Notes from the Art Students League of NY, November 6, 2017
  • Grenfell Tower (Corporate Murder), 2017. Linocut on white Rives paper. 11" x 8 1/2" (27.9 x 21.6 cm)

    A Century Later, Artist Sue Coe Takes Up Käthe Kollwitz's Social Justice Crusade

    Margaret Carrigan, Observer Arts, October 10, 2017
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You are receiving this message because you submitted your email address in person, in the Galerie St. Etienne’s guest book, or online, through either gseart.com or suecoe.com or by registering for a prior webinar. Your contact information will only ever be used for correspondence pertaining to Sue Coe or to the Galerie St. Etienne, and it will never be shared.