Dead-End Kids: Gerhard Richter's political masterpiece and a review of the exhibition "Open Ends" at MOMA, Fall 2000

Peter Schjeldahl, The New Yorker, December 11, 2000

Sue Coe, the English graphic guerrilla, strangles charm. Her big painting .... Woman Walks Into Bar -- Is Raped by 4 Men on the Pool Table -- While 20 Watch ... compares well with the most lacerating works of George Grosz and Otto Dix. Go ahead and hate it. Explain why it's bad. it will still punch your face in."

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