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Cheap De-Miners, 2000

Etching with hand coloring on white wove paper

9 3/8 x 12 5/8 in (23.8 x 32.1 cm)

Edition of 80 plus 5 AP

Series: The Tragedy of War

Is it Safe?, 2000

Etching with hand coloring on wove paper

10 3/8 x 18 in (26.4 x 45.7 cm)

Edition of 100 plus 5 AP

Series: The Tragedy of War

Laptop Bombardiers, 2000

Etching on wove paper

11 x 14 1/8 in (27.9 x 35.9 cm)

Edition of 80 plus 5 AP

Series: The Tragedy of War

Rape of Child, 2000

Etching on heavy white wove paper

12 x 18 in (30.5 x 45.7 cm)

Edition of 80 plus 5 AP

Series: The Tragedy of War

Refugees, 2000

Etching on heavy weight white Rives paper

8 x 11 7/8 in (20.3 x 30.2 cm)

Edition of 80 plus 5 AP

Series: The Tragedy of War

Silencing the Opposition, 2000

Etching on heavy off-white wove paper

9 1/8 x 10 in (23.2 x 25.4 cm)

Edition of 150 plus 5 AP

Series: The Tragedy of War

Small Bear at Roadside Zoo, 2000

Etching on heavy white Rives paper

4 3/4 x 2 5/8 in (12.1 x 6.7 cm)

Edition of 294 plus 10 AP

Series: Animal Rights

Spider Silk Gene/Bullet Proof Vest, 2000

Etching with hand coloring on off-white wove paper

5 x 7 1/2 in (2.7 x 19.1 cm)

Edition of 100 plus 5 AP

Series: The Tragedy of War

The First Casualty of War is Truth, 2000

Etching on heavy white wove paper

6 1/2 x 9 3/8 in (6.5 x 23.8 cm)

Edition of 120 plus 5 AP

Series: The Tragedy of War

They Need a Good Lawyer, 2000

Etching on heavy white Rives paper

5 x 6 in (12.7 x 15.2 cm)

Edition of 300 plus 10 AP

Series: Animal Rights

Those With Guns Eat First, 2000

Etching on heavy white wove paper

12 x 18 in (30.5 x 45.7 cm)

Edition of 100 plus 10 AP

Series: Tragedy of War

Upper and Lower Primates, 2000

Etching on wove paper

13 x 20 7/8 in (33 x 53 cm)

Edition of 100 plus 10 AP

Series: The Tragedy of War

War Street, 2000

Etching on wove paper with hand coloring

9 3/8 x 12 5/8 in (23.8 x 32.1 cm)

Edition of 35 plus 5 AP

Series: The Tragedy of War

Belgrade Zoo: Mad Rhino, 1999

Lithograph on heavy white wove paper

34 x 24 in (86.4 x 61 cm)

Edition of 11

Series: Zoochosis

Belgrade Zoo: Mad Tiger, 1999

Lithograph on heavy white wove paper

33 3/4 x 23 1/2 in (85.7 x 59.7 cm)

Edition of 7 plus 1 AP

Series: Zoochosis

The Fate of the Abandoned, 1999

Lithograph on cream Arches paper

17 x 15 in (43.2 x 38.1 cm)

Edition of 50 plus 1 artist's proof

Series: The Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)

The Nuclear Family Goes Shopping, 1999

Lithograph on heavy off-white wove paper

18 x 13 1/4 in (45.7 x 33.7 cm)

Edition of 20 plus 5 AP

What a Golden Beak! (They Want War), 1999

Etching with hand coloring on off-white Arches paper

7 3/4 x 11 7/8 in (19.7 x 30.2 cm)

Edition of 75 plus 5 AP

Series: The Tragedy of War

They Made Themselves Extinct, 1997

Lithograph on antique Somerset Satin paper

20 x 15 in (50.8 x 38.1 cm)

Edition of 108 plus 10 artist's proofs

Series: Animal Rights

Upper and Lower Primates, 1997

Lithograph on antique Somerset Satin paper

20 x 15 in (50.8 x 38.1 cm)

Edition of 64 plus 3 artist's proofs

Series: Animal Rights

Turnabout is Fair Play, 1996

Photo-etching on white heavy weight Rives paper

14 x 11 in (35.6 x 27.9 cm)

Edition of 1000 plus 10 AP

Series: Animal Rights

AIDS: Suite of 10 prints, 1994

Seven etchings and three photo-etchings (one hand-colored) on cream Perusia CM Fabriano paper

14 x 10 3/4 in (35.5 x 27.3 cm)

Edition of 40 plus 2 artist's proofs

Series: AIDS

Anthony, 1994

Line etching on white heavy weight Rives paper

6 x 9 in (15.2 x 22.9 cm)

Edition of 125

Series: AIDS

Blue Bath, 1994

Photo-etching on white heavy weight Rives paper (not colored)

12 x 8 in (30.5 x 20.3 cm)

Edition of 125

Series: The AIDS Series

Gary's Last Portrait, 1994

Line etching on white heavy weight Rives paper

9 x 5 7/8 in (22.9 x 14.9 cm)

Edition of 125

Series: The AIDS series

Infectious Disease Clinic, 1994

Photo-etching on white heavy weight Rives paper

4 3/4 x 8 1/2 in (12.3 x 21.6 cm)

Edition of 125

Series: The AIDS series

Kaposi's Sarcoma, 1994

Photo-etching on white heavy weight Rives paper

12 x 8 in (30.5 x 20.3 cm)

Edition of 125

Series: The AIDS series

Patient and Doctor, 1994

Line etching on white heavy weight Rives paper

6 x 4 3/4 in (15.3 x 12.1 cm)

Edition of 125 plus 5 artist's proofs

Series: The AIDS series

The Cough, 1994

Line etching on white heavy weight Rives paper

12 x 8 in (30.3 x 20.3 cm)

Edition of 125

Series: The AIDS series

The End of Me, 1994

Line etching on white heavy weight Rives paper

7 3/4 x 6 in (19.7 x 15.2 cm)

Edition of 125

Series: The AIDS series

The West Meets the Rest, 1994

Photo-etching on white heavyweight Rives paper

18 1/4 x 7 5/8 in (46.4 x 19.4 cm)

Edition of 500 plus 5 artist's proofs

Tony, 1994

Line etching on white heavy weight Rives paper

9" x 6" (22.9 x 15.2 cm)

Edition of 125 plus 12 artist's proofs

Series: AIDS

New World Order, Europe in the 90's: Immigrants GO HOME, 1993

Lithograph with red gouache hand coloring on gray, B.F.K. Rives paper

30 1/8 x 22 in (76.5 x 55.9 cm)

Edition of 20 plus 5 artist's proofs

Standing Pig, 1993

Etching on gray B.F.K. Rives paper

9 x 11 3/4 in (22.8 x 29.9 cm)

Edition of 18 plus 2 artist's proofs

Series: Porkopolis

Standing Pig, 1993

Lithograph on gray or tan B.F.K. Rives paper

22" x 30" (55.9 x 76.2 cm)

Edition of 25 plus 3 artist's proofs

Series: Porkopolis

Heel of the Boot, 1992

Photo-etching on white heavyweight Rives paper

17 1/2 x 13 3/4 in (44.2 x 34.9 cm)

Edition of 250 plus 20 artist's proofs

It's a Picnic, 1992

Photo-etching on white heavyweight Rives paper

16 1/4 x 11 5/8 in (41.3 x 29.5 cm)

Edition of 250 plus 25 AP

Series: Porkopolis

La Union Hace La Fuerza! (In Unity There is Strength!) (Battered Women's Shelter), 1992

Lithograph on white Arches paper

14 3/4 x 11 3/8 in (37.5 x 28.9 cm)

Edition of 21 plus 3 artist's proofs

Series: Women's Rights

Malcolm X and J. Edgar Hoover, 1992

Photo-etching on cream heavyweight Rives paper

16 x 9 1/4 in (40.6 x 23.5 cm)

Edition of 150

Riot, 1992

Photo-etching on cream heavyweight Rives paper

13 1/2 x 17 1/2 in (34.2 x 44.5 cm)

Edition of 150

Supreme Court, 1992

Photo-etching on cream heavyweight Rives paper

12 1/2 x 19 1/2 in (31.7 x 49.5 cm)

Edition of 150 plus 5 AP

Thank You America (Anita Hill), 1992

Photo-etching on white heavyweight Rives paper

15 1/4 x 10 in (39 x 25.4 cm)

Edition of 175 plus 15 artist's proofs

Series: Women's Rights

The Environmental President, 1992

Lithograph on grey Rives B.F.K. paper

13 1/8 x 10 in (33.3 x 25.4 cm)

Edition of 40 plus 4 artist's proofs

We Will Not Go Back, 1992

Photo-lithograph and gouache on cream Rives paper

26 3/8 x 19 in (67 x 48.3 cm)

Edition of 23 plus 2 AP

Series: Women's Rights

We Will Not Go Back, 1992

Lithograph and gouache on white B.F.K. Rives paper

21 x 15 3/4 in (53.3 x 40 cm)

Edition of 23 plus 2 artist's proofs

Series: Women's Rights

Bomb Shelter, 1991

Etching on white heavyweight Rives paper

9 5/8 x 10 1/2 in (24.5 x 26.7 cm)

Edition of 292 plus 23 AP

Series: Iraq War

Feed Lot, 1991

Lithograph on white heavyweight Arches Cover paper

18 3/8 x 18 1/8 in (46.6 x 35.9 cm)

Edition of 100 plus 10 artist's proofs

Series: Porkopolis

Health Care (Not Warfare), 1991

Photo-etching on white heavyweight Rives paper

14 x 11 in (35.5 x 27.9 cm)

Edition of 10 plus 4 artist's proofs

Series: Road to the White House

Jimmy Carrying Veal, 1991

Etching with aquatint on white heavyweight Rives paper

11 3/8 x 7 in (28.9 x 17.8 cm)

Edition of 125

Series: Porkopolis

Just Say No, 1991

Photo-etching on white heavyweight Rives paper

7 3/8 x 8 7/8 in (18.7 x 22.5 cm)

Edition of 150 plus 15 AP

Series: Porkopolis

Newshound, 1991

Photo-etching on white heavyweight Rives paper

10 5/8 x 10 3/4 in (27.2 x 27.3 cm)

Edition of 75 plus 25 AP

Selection for Slaughter, 1991

Etching and aquatint on buff Arches paper

18 x 12 in (45.7 x 30.5 cm)

Edition of 60 plus 10 AP

Series: Porkopolis

Thank You America (Anita Hill), 1991

Photo-lithograph and gouache on cream BFK Rives paper with hand coloring (red french on the tabloid, white gouache on the flames)

30 x 22 1/2 in (76.2 x 57.2 cm)

Edition of 30 plus 3 AP

Series: Women's Rights

The New World Order, 1991

Photo-etching on white heavyweight Rives paper

13 3/8 x 10 5/8 in (34 x 27 cm)

Edition of 287 plus 25 AP

The Selection, 1991

Lithograph on cream B.F.K. Rives paper

30 x 22 in (76.2 x 55.9 cm)

Edition of 20 plus 2 artist's proofs

Series: Porkopolis

The Veal Skinner, 1991

Lithograph on cream Rives BFK paper

30 x 22 in (76.2 x 55.9 cm)

Edition of 24 plus 2 artist's proofs

Series: Porkopolis

Where's the Good Shepherd?, 1991

Etching and aquatint on white heavyweight Rives paper

12 x 8 1/8 in (30.5 x 20.6 cm)

Edition of 125 plus 16 AP

Series: Porkopolis

AIDS and the Federal Government, 1990

Photo-etching on white heavyweight Rives paper

13 x 19 in (33 x 48.3 cm)

From the final edition of 85 impressions

Exxon Gets Away with Murder, 1990

Etching on white heavyweight Rives paper

5 1/8 x 3 1/2 in (13.2 x 8.9 cm)

Edition of 175 plus 12 artist's proofs

Series: Porkopolis

Judas Goat, 1990

Etching and aquatint on white heavyweight Rives paper

9 3/4 x 16 in (24.7 x 40.6 cm)

Edition of 100 plus 12 artist's proofs

Series: Porkopolis

Mobilize/The Gulf, 1990

Etching on heavy white Rives paper

3 3/4 x 6 3/4 in (9.5 x 17.2 cm)

Edition of 93 plus 8 AP

Series: Iraq

Shell's Exxon, 1990

Etching on heavy white Rives paper

3 3/4 x 6 3/4 in (9.5 x 17.2 cm)

Edition of 96 plus 8 AP

Series: Iraq War

Singeing, 1990

Etching and aquatint on white heavyweight Rives paper

9 x 9 in (23 x 22.9 cm)

Edition of 75 plus 5 AP

Series: Porkopolis

The Tail That Wagged the Dog, 1990

Suite of fourteen prints. Two linoleum cuts (#1 and #10) on Tosa Hanga paper; 12 etchings with aquatint (#2-9, 12-14) on Rives heavyweight white,
with cover sheet and portfolio case (Speckletone Kraft Coverstock).

8 x 4 3/4 in (20.3 x 12.1 cm)

Edition of 60 plus 12 AP

Colorado, 1989

Etching and aquatint on white heavyweight Rives paper

7 1/2 x 4 3/8 in (19 x 11.1 cm)

Edition of 78 plus 4 artist's proofs

Series: Porkopolis

Denver, 1989

Aquatint on white heavyweight Rives paper

9 3/4 x 15 1/4 in (24.9 x 38.7 cm)

Final edition of 31

Series: Porkopolis

Hot House Lambs, 1989

Etching and aquatint on white heavyweight Rives paper

4 1/4 x 4 3/4 in (10.8 x 12.1 cm)

Edition of 80 plus 6 artist's proofs

Series: Porkopolis

Pig Improvement Company, 1989

Etching and aquatint on heavy, off-white white watermarked Rives paper

12 1/2 x 12 in (31.8 x 30.5 cm)

Edition of 74

Series: Porkopolis

Sticking, 1989

Etching and aquatint on white heavyweight Rives paper

5 5/8 x 8 1/2 in (14.3 x 21.6 cm)

Edition of 75 plus 5 AP

Series: Porkopolis

The Boot, 1989

Etching and aquatint on white heavyweight Rives paper

9 x 5 7/8 in (22.9 x 14.9 cm)

Edition of 45

Series: Porkopolis

The Hot Floor, 1989

Etching and aquatint on white heavyweight Rives paper

7 3/4 x 7 1/4 in (19.7 x 18.4 cm)

Edition of 45

Series: Porkopolis

What's Your Cut?, 1989

Etching on white heavyweight Rives paper

4 3/4 x 8 7/8 in (12.1 x 22.5 cm). Sheet sizes vary

Final edition of 177 plus 16 AP

Series: Porkopolis

The Auction, 1988

Photo-etching with silkscreen and hand-coloring on cream Rives BFK paper

13 1/4 x 14 5/8 in (33.6 x 37.2 cm) (Image)
Sheet size: 30 x 22 in

Edition of 100 plus 5 artist's proofs

Series: Porkopolis

The Nocking Pen, 1988

Etching and aquatint on white heavyweight Rives paper

9 1/2 x 6 3/8 in (24.2 x 16.2 cm)

Edition of 46 plus 6 AP

Series: Porkopolis

Meat and Pork for Your Fork, 1987

Lithograph on buff Rives BFK paper (numbers 1–29) and tan Rives BFK paper (numbers 30-50)

30 1/8 x 22 1/8 in (76.5 x 56.2 cm)

Edition of 50 plus 10 AP

Series: Porkopolis

The Landlord/The Tenant, 1985

Two photo-etchings on heavy off-white wove paper

13 3/8 x 22 1/4 in (34 x 56.4 cm)

Edition of 3

Bedford Rape, 1984

Photo-etching on Rives paper

9 3/4 x 11 in (24.8 x 27.9 cm)

Edition of 91 plus 5 artist's proofs

Series: Women's Rights

Nuclear Missiles on German Soil, 1984

Photo-etching on off-white Rives paper

9 1/2 x 18 1/2 in (24.2 x 47.0 cm)

Edition of 41 plus 5 artist's proofs

Vertical Rape (Romance in the Age of Raygun), 1984

Photo-etching on Rives paper

13 x 9 3/4 in (33 x 24.8 cm)

Edition of 450 plus 10 AP

Woman Tied to a Pole, 1984

Photo-etching on Rives paper

13 1/4 x 9 1/4 in (33.6 x 23.5 cm)

Edition of 60 plus 6 AP

Series: How to Commit Suicide in South Africa

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