• Bobby Sands
    Bobby Sands, 1982
    Mixed media and collage on paper
    28 x 39 3/4 in (71.1 x 100.9 cm)
    Series: Police State
  • Ground Zero
    Ground Zero, 1981
    Graphite on paper
    48 x 66 in (121.9 x 167.6 cm)
  • We Come Grinning into Your Paradise
    We Come Grinning into Your Paradise, 1982
    Graphite, gouache, and collage on heavy paper
    50 3/4 x 70 in (128.9 x 177.8 cm)
    Series: Police State
  • How to Commit Suicide in South Africa
    How to Commit Suicide in South Africa, 1983
    Mixed media and collage on paper
    38 x 52 in (96.5 x 132.1 cm)
    Series: How to Commit Suicide in South Africa and Police State
  • England is a Bitch
    England is a Bitch, 1982
    Mixed media and collage on paper
    41 x 55 in (104.1 x 139.7 cm)
    Series: Police State
  • South Africa, Woman Tied to a Pole
    South Africa, Woman Tied to a Pole, 1983
    Graphite and collage on paper
    30 x 22 in (76.2 x 55.9 cm)
    Series: How to Commit Suicide in South Africa
  • NO Peoples Republic
    NO Peoples Republic, 1983
    Graphite, charcoal, synthetic polymer paint, and cut-and-pasted printed paper on paper
    26 1/2 x 34 1/2 in (67.3 x 87.6 cm)
    Series: Police State & How to Commit Suicide in South Africa
  • It's Not Safe
    It's Not Safe, 1983
    Mixed media and collage on paper with canvas backing in places for support
    83 1/2 x 120 in (212.1 x 304.8 cm)
    Series: Police State
  • Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch
    Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch, 1983
    Mixed media and collage on paper
    7' 7 5/8" x 9' 5 1/4" (232.7 x 287.7 cm)
  • Romance in the Age of Raygun (aka Wisconsin Rape)
    Romance in the Age of Raygun (aka Wisconsin Rape), 1984
    Oil and mixed media on canvas
    75 × 55 1/2 in (190.5 × 141 cm)
  • U.S. Military Successfully Bombs A Mental Hospital in Grenada
    U.S. Military Successfully Bombs A Mental Hospital in Grenada, 1984
    Oil on paper
    44 x 37 1/2 in (111.8 x 95.3 cm)
    Series: Police State, Paintings & Drawings
  • Launch Lunch: Biological Determinism (aka An Understandable Error)
    Launch Lunch: Biological Determinism (aka An Understandable Error), 1984
    Watercolor on paper
    9 x 10 5/8 in (22.9 x 27 cm)
  • Jobs Not Guns
    Jobs Not Guns, 1984
    Gouache and watercolor on paper
    10 3/4 x 8 1/4 in (27.3 x 21 cm)
    Series: Police State
  • Spilling Blood
    Spilling Blood, 1984
    Pencil and red paint on paper
    20 x 30 in (50.8 x 76.2 cm)
  • Going Over the Fence (War Resister at Missile Silo)
    Going Over the Fence (War Resister at Missile Silo), 1984
    Graphite, collage, and mixed media on paper
    50 x 73 1/2 in (127 x 186.7 cm)
    Series: Police State
  • President Raygun Takes a Hot Bath
    President Raygun Takes a Hot Bath, 1984
    Gouache, graphite and collage on white Bristol paper
    28 1/4 x 20 1/2 in (71.8 x 52.1 cm)
  • Riot
    Riot, 1984
    Mixed media and collage on paper
    38 7/8 × 57 1/4 in (98.7 × 145.4 cm)
  • Woman in Mental Hospital
    Woman in Mental Hospital, 1985
    Graphite on paper
    Series: Women's Rights
  • Malcolm's Mother and the KKK
    Malcolm's Mother and the KKK, 1985
    Graphite and gouache on heavy ivory wove paper
    40 x 30 in (101.6 x 76.2 cm)
    Series: Malcolm X and Police State
  • There is No God But Allah
    There is No God But Allah, 1985
    Gouache and graphite on paper
    22 x 30 in (55.9 x 76.2 cm)
    Series: Malcolm X and Police State
  • The Money Temple
    The Money Temple, 1985
    Graphite and gouache
    55 x 40 1/2 in (139.7 x 102.9 cm)
    Series: Police State and Malcolm X
  • The Ku Klux Klan, 1895-1985
    The Ku Klux Klan, 1895-1985, 1985
    Mixed media on heavy white wove paper
    49 x 60 in (124.5 x 152.4 cm)
    Series: Malcolm X
  • Landlord Says No Children
    Landlord Says No Children, 1985
    Oil on canvas
    38 x 52 in (96.5 x 132.1 cm)
    Series: Police State
  • Vigilante
    Vigilante, 1985
    Mixed media and collage on canvas
    96 x 120 in (243.8 x 304.8 cm)
    Series: Police State
  • Baboon Heart Transplant
    Baboon Heart Transplant, 1985
    Mixed media and collage on paper
    52 x 77 in (132.1 x 195.6 cm)
    Series: Police State
  • Woman Shot in Back (Brixton Riot)
    Woman Shot in Back (Brixton Riot), 1985
    Graphite and gouache on off-white Bristol board
    30 x 22 in (76.2 x 55.9 cm)
    Series: Police State
  • Women in Prison (aka Woman in Prison?)
    Women in Prison (aka Woman in Prison?), 1985
    Graphite on white board
    16 1/4 x 13 1/4 in (41.2 x 33.7 cm)
    Series: Women's Rights and Police State
  • Pentagon Wound Lab [Soft Targets] (If Animals Believed in God then the Devil Would Look Like a Human Being)
    Pentagon Wound Lab [Soft Targets] (If Animals Believed in God then the Devil Would Look Like a Human Being), 1985
    Mixed media and collage on canvas
    71 1/2 x 83 1/2 in (181.6 x 212.1 cm)
  • Homeless Women in Penn Station
    Homeless Women in Penn Station, 1985
    Graphite on white Strathmore Bristol board
    30 x 22 in (76.3 x 55.9 cm)
    Series: Police State
  • Welcome to R.A.F. Greenham Common
    Welcome to R.A.F. Greenham Common, 1984
    Mixed media and collage on canvas
    50 3/4 x 73 1/2 in (128.9 x 186.7 cm)
  • Police State
    Police State, 1986
    Oil on gessoed paper
    53 x 31 in (134.6 x 78.7 cm)
    Series: Police State and Malcolm X
  • The Assassins
    The Assassins, 1986
    Oil on canvas
    75 x 56 in (190.5 x 139.8 cm)
    Series: Malcolm X
  • They Are Your Class Enemy: The Great Miner's Strike, England, 1984-85
    They Are Your Class Enemy: The Great Miner's Strike, England, 1984-85, 1986
    Graphite and gouache on paper
    43 x 31 in (109.2 x 78.7 cm)
    Series: Police State
  • The John Walker
    The John Walker, 1986
    Oil on canvas
    60 x 49 in (152.5 x 124.5 cm)
    Series: Paintings & Drawings
  • Airstrip One
    Airstrip One, 1986
    Gouache and graphite on white Bristol paper
    42 1/2 x 30 1/2 in (108 x 77.5 cm)
    Series: Police State
  • Henry Crown
    Henry Crown, 1986
    Graphite and gouache on white Strathmore Bristol board
    30 x 22 in (76.2 x 55.9 cm)
    Series: Police State
  • Meat and Pork for Your Fork
    Meat and Pork for Your Fork, 1987
    Lithograph on buff Rives BFK paper (numbers 1–29) and tan Rives BFK paper (numbers 30-50)
    30 1/8 x 22 1/8 in (76.5 x 56.2 cm)
    Edition of 50 plus 10 AP
    Series: Porkopolis