Sue Coe: Why No Justice? Selections 1980–1994: Museum of Art of the University of New Hampshire, Durham

• 
  Health Care (Hospital Emergency Room), 1993

  Graphite, ink and gouache on white Strathmore Bristol board

  29 1/8 x 23 1/8 in (74 x 58.7 cm)
• 
  Baby Killers, 1985

  Gouache, graphite, and charcoal with acrylic gel glaze on heavy paper with canvas backing along top edge

  60 x 59 1/2 in (152.4 x 151.1 cm)

  Series: Women's Rights
• 
  Begging Dog, 1986

  Graphite on white Strathmore Bristol paper

  29 x 23 in (73.7 x 58.4 cm)

  Series: Malcolm X
• 
  Dr. Backstreet Bush Develops a Case of Fetal Attraction, 1992

  Graphite, gouache, and ink on white Strathmore Bristol board

  29 x 23 1/8 in (73.9 x 58.8 cm)

  Series: The Road to the White House, Women's Rights

• 
  We Will Not Go Back, 1992

  Photo-lithograph and gouache on cream Rives paper

  26 3/8 x 19 in (67 x 48.3 cm)

  Edition of 23 plus 2 AP

  Series: Women's Rights
• 
  Doctors Under Fire, 1993

  Graphite, charcoal and gouache on white Strathmore Gemini paper

  30 x 22 5/8 in (76.2 x 57.5 cm)
• 
  AIDS and the Federal Government, 1990

  Photo-etching on white heavyweight Rives paper

  13 x 19 in (33 x 48.3 cm)

  From the final edition of 85 impressions
• 
  Medicare, 1987

  Graphite and acrylic medium on white Strathmore Bristol board

  14 3/4 x 13 1/4 in (37.5 x 33.7 cm)

• 
  Health Care (Not Warfare), 1991

  Photo-etching on white heavyweight Rives paper

  14 x 11 in (35.5 x 27.9 cm)

  Edition of 10 plus 4 artist's proofs

  Series: Road to the White House
• 
  Strike, 1980

  Mixed media on heavy white wove paper

  27 5/8 x 20 5/8 in (70.2 x 52.4 cm)
• 
  U.S.P.D. U.M.W.A. Pittston, 1989

  Conté crayon, black grease crayon and graphite on white Strathmore Bristol board

  29 x 23 in (73.6 x 58.4 cm)

  Series: Clinchfield Coal Co. Miners' Strike
• 
  Striking Miners Handcuffed to the Fence, 1989

  Graphite on white Strathmore Bristol board

  22 1/2 x 28 1/2 in (57.1 x 72.4 cm)

  Series: Clinchfield Coal Co. Miners' Strike

• 
  Clinchfield Coal Co., 1989

  Graphite and gouache on white Strathmore Bristol board

  23 x 29 in (58.4 x 73.7 cm)

  Series: Clinchfield Coal Co. Miners' Strike
• 
  So Many Police Why No Justice, 1989

  Graphite and charcoal on white Strathmore Bristol board

  29 x 23 in (73.6 x 58.4 cm)

  Series: Clinchfield Coal Co. Miners' Strike
• 
  They Are Reluctant to Speak to the Investigator, 1994

  Graphite and gouache on Strathmore Gemini paper

  30 x 22 1/4 in (76.2 x 56.5 cm)

  Series: The Sweatshop Series
• 
  Sewing Machines and Covered Buttons, 1994

  Graphite and black crayon on white Strathmore Bristol board

  23 x 29 in (58.4 x 73.6 cm)

  Series: The Sweatshop Series

• 
  Presser, 1994

  Crayon, watercolor and gouache on white Strathmore Bristol board

  29 x 23 in (73.6 x 58.4 cm)

  Series: The Sweatshop Series
• 
  Getting the Chop (Union), 1989

  Graphite, gouache, and watercolor on white Strathmore Bristol board

  30 x 40 in (76.2 x 101.6 cm)

  Series: Porkopolis
• 
  Home From Home, 1992

  Graphite and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.7 x 58.8 cm)

  Series: The Road to the White House
• 
  NY Soup Kitchen a Week Before Xmas, 1992

  Graphite and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.6 x 58.8 cm)

  Series: The Road to the White House

• 
  Homeless Woman Dressed in Garbage Bags, 1992

  Graphite on white Strathmore Bristol board

  29 x 23 1/8 in (73.7 x 58.8 cm)

  Series: The Road to the White House
• 
  The Landlord, 1985

  Photo-etching on Rives paper

  13 1/2 x 8 5/8 in (34.3 x 21.9 cm)

  Edition of 98
• 
  Riot, 1992

  Photo-etching on cream heavyweight Rives paper

  13 1/2 x 17 1/2 in (34.2 x 44.5 cm)

  Edition of 150
• 
  Traffic Violation, 1986

  Oil on canvas

  58 3/8 x 30 1/8 in (148.3 x 76.5 cm)

• 
  Robbery in the First Degree, Resisting Arrest, 1992

  Graphite on white Strathmore Bristol board

  11 1/4 x 8 7/8 in (28.6 x 22.5 cm)

  Series: The Night Court Series
• 
  Alleged Prostitutes Waiting to Go Before the Judge, 1992

  Graphite, charcoal and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.9 x 58.8 cm)

  Series: The Night Court Series
• 
  Holding Cells at Back of Courtroom, 1992

  Graphite, charcoal and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.7 x 58.8 cm)

  Series: The Night Court Series
• 
  The Night's Haul, 1992

  Graphite and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.9 x 58.8 cm)

  Series: The Night Court Series

• 
  Skinhead/KKK, 1993

  Graphite and ink on white Strathmore Bristol board

  30 x 22 in (76.2 x 55.9 cm)
• 
  Kulture, 1992

  Graphite, gouache, and ink on white Strathmore Bristol board

  26 x 20 1/8 in (66 x 51.1 cm)

  Series: The Road to the Whitehouse
• 
  Bomb Shelter, 1991

  Photo-etching on white heavyweight Rives paper

  9 5/8 x 10 1/2 in (24.5 x 26.7 cm)

  Edition of 292 plus 23 AP

  Series: Iraq War
• 
  The New World Order, 1991

  Photo-etching on white heavyweight Rives paper

  13 3/8 x 10 5/8 in (34 x 27 cm)

  Edition of 287 plus 25 AP

• 
  They are in Such a Rush (aka War Train), 1986

  Mixed media on paper

  59 3/4 x 51 in (151.7 x 129.5 cm)
• 
  Newshound, 1991

  Photo-etching on white heavyweight Rives paper

  10 5/8 x 10 3/4 in (27.2 x 27.3 cm)

  Edition of 75 plus 25 AP
• 
  Political Television, 1986

  Graphite and gouache on white Strathmore Bristol board

  12 3/4 x 13 in (32.4 x 33 cm)