• Grand Central Station
    Grand Central Station, 1976
    Tempera on paper
    30 x 40 in (76.2 x 101.6 cm)
  • The Rape of Rosa Velez
    The Rape of Rosa Velez, 1976
    Tempera and collage on paper
    20 x 30 in (50.8 x 76.2 cm)
    Series: Women's Rights
  • Strike
    Strike, 1980
    Mixed media on heavy white wove paper
    27 5/8 x 20 5/8 in (70.2 x 52.4 cm)
  • Anti-Semitism
    Anti-Semitism, 1980
    Graphite and gouache on white board
  • Sherlock: The Sudden Death of Cardinal Tosca
    Sherlock: The Sudden Death of Cardinal Tosca, 1980
    Derwent colored pencil and collaged elements on heavy white paper
    17 1/2 x 22 1/8 in (44.5 x 56.2 cm)
  • Syphilis
    Syphilis, 1981
    Graphite, watercolor, and collage on white C.M. Fabriano paper
    23 1/8 x 30 in (58.7 x 76.2 cm)
  • The Robber and His Servant
    The Robber and His Servant, 1981
    Watercolor, gouache, graphite, and collage on white handmade wove paper
    4 7/8" x 6 3/4" (12.4 x 17.2 cm)
  • The Ice Age
    The Ice Age, 1981
    Mixed media on white Strathmore Bristol board
    13 1/4 x 9 7/8 in (33.7 x 25.1 cm)
  • Bobby Sands
    Bobby Sands, 1982
    Mixed media and collage on paper
    28 x 39 3/4 in (71.1 x 100.9 cm)
    Series: Police State
  • Ground Zero
    Ground Zero, 1981
    Graphite on paper
    48 x 66 in (121.9 x 167.6 cm)
  • The War is Economics. The Crime is Power. The Time is Soon
    The War is Economics. The Crime is Power. The Time is Soon, 1981
    Pencil on paper
    42 x 60 in (106.7 x 152.4 cm)
  • We Come Grinning into Your Paradise
    We Come Grinning into Your Paradise, 1982
    Graphite, gouache, and collage on heavy paper
    50 3/4 x 70 in (128.9 x 177.8 cm)
    Series: Police State
  • How to Commit Suicide in South Africa
    How to Commit Suicide in South Africa, 1983
    Mixed media and collage on paper
    38 x 52 in (96.5 x 132.1 cm)
    Series: How to Commit Suicide in South Africa and Police State
  • Sharpeville
    Sharpeville, 1982
    Graphite, gouache, and collage on heavy white paper
    22 3/8 x 30 in (56.8 x 76.2 cm)
    Series: How to Commit Suicide in South Africa
  • The Last Dance
    The Last Dance, 1982
    Tempera on paper
    54 x 36 in (137.2 x 91.4 cm)
  • Reagan Speaks for Himself
    Reagan Speaks for Himself, 1982
    Mixed media and collage on white etching paper
    30 3/4 x 23 in (78.1 x 58.4 cm)
    Series: Malcolm X
  • Street Rap
    Street Rap, 1982
    Pencil and collage on paper
    40 x 58 in (101.6 x 147.3 cm)
  • Welcome to the City of Gold (South Africa, Too Much Blood on the Gold)
    Welcome to the City of Gold (South Africa, Too Much Blood on the Gold), 1983
    Mixed media on canvas
    70 x 56 in (177.8 x 142.2 cm)
    Series: How to Commit Suicide in South Africa
  • South Africa, Woman Tied to a Pole
    South Africa, Woman Tied to a Pole, 1983
    Graphite and collage on paper
    30 x 22 in (76.2 x 55.9 cm)
    Series: How to Commit Suicide in South Africa
  • NO Peoples Republic
    NO Peoples Republic, 1983
    Graphite, charcoal, synthetic polymer paint, and cut-and-pasted printed paper on paper
    26 1/2 x 34 1/2 in (67.3 x 87.6 cm)
    Series: Police State & How to Commit Suicide in South Africa
  • The Children Are Going Insane (The Night is Red)
    The Children Are Going Insane (The Night is Red), 1983
    Graphite and collage on paper mounted on canvas
    73 1/2 x 69 1/2 in (186.7 x 176.5 cm)
    Series: How to Commit Suicide in South Africa
  • Welcome to Sunny South Africa
    Welcome to Sunny South Africa, 1983
    Mixed media on paper
    22 1/4 x 30 in (56.5 x 76.2 cm)
    Series: How to Commit Suicide in South Africa
  • Hands off the Trade Unions
    Hands off the Trade Unions, 1983
    Mixed media on white wove paper
    26 x 30 in (66 x 76.2 cm)
    Series: How to Commit Suicide in South Africa
  • Dog of War
    Dog of War, 1983
    Mixed media on heavy paper
    38 x 50 in (96.5 x 127 cm)
    Series: How to Commit Suicide in South Africa
  • It's Like a Jungle (The Message)
    It's Like a Jungle (The Message), 1982
    Mixed media and collage on paper
    60 x 40 in (152.4 x 101.6 cm)
  • Amandhla
    Amandhla, 1983
    Mixed media and collage on paper, mounted on linen
    54 x 42 1/4 in (137.2 x 107.3 cm)
    Series: How to Commit Suicide in South Africa
  • Mingus
    Mingus, 1983
    Mixed media and collage on white wove paper
    30 x 22 in (76.2 x 55.9 cm)
  • It's Not Safe
    It's Not Safe, 1983
    Mixed media and collage on paper with canvas backing in places for support
    83 1/2 x 120 in (212.1 x 304.8 cm)
    Series: Police State
  • Bedford Rape (Woman Walks into Bar is Raped by 4 Men, on Pool Table, While 20 Watch)
    Bedford Rape (Woman Walks into Bar is Raped by 4 Men, on Pool Table, While 20 Watch), 1983
    Oil
    19 x 28 in (48.3 x 71.1 cm)
  • Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch
    Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch, 1983
    Mixed media and collage on paper
    7' 7 5/8" x 9' 5 1/4" (232.7 x 287.7 cm)
  • Woman Walks into a Bar (Gray Rape)
    Woman Walks into a Bar (Gray Rape), 1983
    Graphite on paper
    40 x 50 in (101.6 x 127 cm)
    Series: Women's Rights
  • White Rape
    White Rape, 1983
    Mixed media on wallpaper
    72 x 48 in (182.9 x 121.9 cm).
    Series: Women's Rights
  • Romance in the Age of Raygun (aka Wisconsin Rape)
    Romance in the Age of Raygun (aka Wisconsin Rape), 1984
    Oil and mixed media on canvas
    75 × 55 1/2 in (190.5 × 141 cm)
  • Black Rape
    Black Rape, 1984
    Collage and paint on canvas
    84 x 60 in (213.4 x 152.4 cm)
    Series: Women's Rights
  • U.S. Military Successfully Bombs A Mental Hospital in Grenada
    U.S. Military Successfully Bombs A Mental Hospital in Grenada, 1984
    Oil on paper
    44 x 37 1/2 in (111.8 x 95.3 cm)
    Series: Police State, Paintings & Drawings
  • Spotlight (Vivisection)
    Spotlight (Vivisection), 1984
    Mixed media on thin white wove paper
    30 x 22 in (76.2 x 55.9 cm)
  • Launch Lunch: Biological Determinism (aka An Understandable Error)
    Launch Lunch: Biological Determinism (aka An Understandable Error), 1984
    Watercolor on paper
    9 x 10 5/8 in (22.9 x 27 cm)
  • Breaking (aka Breakdancers)
    Breaking (aka Breakdancers), 1984
    Mixed media on canvas
    7' 7" x 10' 1" (231.1 x 307.3 cm)
  • Jobs Not Guns
    Jobs Not Guns, 1984
    Gouache and watercolor on paper
    10 3/4 x 8 1/4 in (27.3 x 21 cm)
    Series: Police State
  • Greed
    Greed, 1984
    Mixed media and collage on canvas
    74 1/2 x 55 in (189.2 x 139.7 cm)
  • Mine
    Mine, 1984
    Oil on board
    56 x 36 in (142.2 x 91.4 cm)
  • Spilling Blood
    Spilling Blood, 1984
    Pencil and red paint on paper
    20 x 30 in (50.8 x 76.2 cm)
  • Going Over the Fence (War Resister at Missile Silo)
    Going Over the Fence (War Resister at Missile Silo), 1984
    Graphite, collage, and mixed media on paper
    50 x 73 1/2 in (127 x 186.7 cm)
    Series: Police State
  • Michael Jackson/Billie Jean
    Michael Jackson/Billie Jean, 1984
    Graphite, gouache, watercolor, and collage on Alexis Bristol board
    30 x 22 1/8 in (76.2 x 56.2 cm)
  • The Dancing Bear
    The Dancing Bear, 1984
    Mixed media
    52 5/8 x 59 3/8 in (133.7 x 150.8 cm)
  • President Raygun Takes a Hot Bath
    President Raygun Takes a Hot Bath, 1984
    Gouache, graphite and collage on white Bristol paper
    28 1/4 x 20 1/2 in (71.8 x 52.1 cm)
  • Riot
    Riot, 1984
    Mixed media and collage on paper
    38 7/8 × 57 1/4 in (98.7 × 145.4 cm)
  • Testing on Monkeys
    Testing on Monkeys, 1984
    Pencil on thin off-white wove paper
    8 3/8 x 9 3/4 in (21.3 x 24.8 cm)
  • Resisting Arrest
    Resisting Arrest, 1984
    Mixed media
    72 x 60 in
    182.9 x 152.4 cm
  • Crystal Night
    Crystal Night, 1984
    Mixed media and collage on paper
    94 1/2 x 138 in (240 x 350.52 cm)
  • Woman in Mental Hospital
    Woman in Mental Hospital, 1985
    Graphite on paper
    Series: Women's Rights
  • Malcolm's Mother and the KKK
    Malcolm's Mother and the KKK, 1985
    Graphite and gouache on heavy ivory wove paper
    40 x 30 in (101.6 x 76.2 cm)
    Series: Malcolm X and Police State
  • Diet Popsi
    Diet Popsi, 1985
    Graphite, gouache, and collage on paper
    39 x 29 in (99.1 x 73.7 cm)
    Series: Malcolm X
  • The Snake Pit
    The Snake Pit, 1985
    Oil on paper
    53 x 31 in
    Series: Malcolm X
  • Breathing Fire
    Breathing Fire, 1985
    Oil on canvas
    54 x 36 in (137.2 x 91.4 cm)
    Series: Malcolm X
  • Malcolm X Looks Out the Window
    Malcolm X Looks Out the Window, 1985
    Oil on board
    Series: Malcolm X
  • There is No God But Allah
    There is No God But Allah, 1985
    Gouache and graphite on paper
    22 x 30 in (55.9 x 76.2 cm)
    Series: Malcolm X and Police State
  • If You Can't Afford to Live in NYC Then Leave
    If You Can't Afford to Live in NYC Then Leave, 1985
    Oil
  • Dog Catcher
    Dog Catcher, 1985
    Oil
    Series: Malcolm X
  • New York Subway
    New York Subway, 1985
    Graphite on paper
    Series: Malcolm X
  • Wall Street
    Wall Street, 1985
    Watercolor, graphite, paper collage and oil on paper
    28 x 20 in
    71.1 x 50.8 cm
    Series: Malcolm X
  • The Ku Klux Klan, 1895-1985
    The Ku Klux Klan, 1895-1985, 1985
    Mixed media on heavy white wove paper
    49 x 60 in (124.5 x 152.4 cm)
    Series: Malcolm X
  • Looting
    Looting, 1985
    Mixed media and collage
    Series: Malcolm X
  • Revolution
    Revolution, 1985
    Graphite and gouache on white Bristol board
    30 x 22 in (76.2 x 55.9 cm)
    Series: Malcolm X
  • The Assassination of Malcolm X
    The Assassination of Malcolm X, 1985
    Graphite, collage, and gouache on paper
    30 x 22 1/4 in (76.2 x 56.5 cm)
    Series: Malcolm X
  • Harlem
    Harlem, 1985
    Oil on canvas
    37 x 47 in (94 x 119.4 cm)
  • Free West
    Free West, 1985
    Graphite on paper
  • 166th & Broadway
    166th & Broadway, 1985
    Gouache and graphite on paper
    42 3/4 x 30 3/4 in (108.6 x 78.1 cm)
    Series: Malcolm X
  • One of the Cruelest Beasts Ever Known
    One of the Cruelest Beasts Ever Known, 1985
    Graphite and gouache on white Strathmore Bristol board
    52 1/4 x 30 7/8 in (132.7 x 78.4 cm)
    Series: Malcolm X
  • Landlord Says No Children
    Landlord Says No Children, 1985
    Oil on canvas
    38 x 52 in (96.5 x 132.1 cm)
    Series: Police State
  • Brixton Riot
    Brixton Riot, 1985
    Graphite, gouache, and collage on off-white Strathmore Bristol board
    22 x 30 in (55.9 x 76.2 cm)
    Series: Police State
  • Pleasure Palace
    Pleasure Palace, 1985
    Oil on canvas
    34 1/2 x 54 3/4 in (87.7 x 139.1 cm)
  • Vigilante
    Vigilante, 1985
    Mixed media and collage on canvas
    96 x 120 in (243.8 x 304.8 cm)
    Series: Police State
  • Baboon Heart Transplant
    Baboon Heart Transplant, 1985
    Mixed media and collage on paper
    52 x 77 in (132.1 x 195.6 cm)
    Series: Police State
  • Pentagon Wound Lab [Soft Targets] (If Animals Believed in God then the Devil Would Look Like a Human Being)
    Pentagon Wound Lab [Soft Targets] (If Animals Believed in God then the Devil Would Look Like a Human Being), 1985
    Mixed media and collage on canvas
    71 1/2 x 83 1/2 in (181.6 x 212.1 cm)
  • Baby Killers
    Baby Killers, 1985
    Gouache, graphite, and charcoal with acrylic gel glaze on heavy paper with canvas backing along top edge
    60 x 59 1/2 in (152.4 x 151.1 cm)
    Series: Women's Rights
  • Mad House
    Mad House, 1985
    Graphite, gouache, and collage on cream paper
    25 7/8" x 29 3/8" (65.7 x 74.6 cm)
  • Homeless Women in Penn Station
    Homeless Women in Penn Station, 1985
    Graphite on white Strathmore Bristol board
    30 x 22 in (76.3 x 55.9 cm)
    Series: Police State
  • The Democratic Party
    The Democratic Party, 1970s
    Graphite on white Strathmore Bristol board
    5 3/4 x 5 7/8 in (14.6 x 14.9 cm)
  • Britain, 1985, Police Encourage Racial Strife
    Britain, 1985, Police Encourage Racial Strife, 1985
    Graphite and collage on paper
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