• Grand Central Station
    Grand Central Station, 1976
    Tempera on paper
    30 x 40 in (76.2 x 101.6 cm)
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  • The Rape of Rosa Velez
    The Rape of Rosa Velez, 1976
    Tempera and collage on paper
    20 x 30 in (50.8 x 76.2 cm)
    Series: Women's Rights
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  • Bobby Sands
    Bobby Sands, 1982
    Mixed media and collage on paper
    28 x 39 3/4 in (71.1 x 100.9 cm)
    Series: Police State
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  • Ground Zero
    Ground Zero, 1981
    Graphite on paper
    48 x 66 in (121.9 x 167.6 cm)
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  • The War is Economics. The Crime is Power. The Time is Soon
    The War is Economics. The Crime is Power. The Time is Soon, 1981
    Pencil on paper
    42 x 60 in (106.7 x 152.4 cm)
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  • We Come Grinning into Your Paradise
    We Come Grinning into Your Paradise, 1982
    Graphite, gouache, and collage on heavy paper
    50 3/4 x 70 in (128.9 x 177.8 cm)
    Series: Police State
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  • How to Commit Suicide in South Africa
    How to Commit Suicide in South Africa, 1983
    Mixed media and collage on paper
    38 x 52 in (96.5 x 132.1 cm)
    Series: How to Commit Suicide in South Africa and Police State
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  • The Last Dance
    The Last Dance, 1982
    Tempera on paper
    54 x 36 in (137.2 x 91.4 cm)
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  • Reagan Speaks for Himself
    Reagan Speaks for Himself, 1982
    Mixed media and collage on white etching paper
    30 3/4 x 23 in (78.1 x 58.4 cm)
    Series: Malcolm X
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  • Street Rap
    Street Rap, 1982
    Pencil and collage on paper
    40 x 58 in (101.6 x 147.3 cm)
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  • England is a Bitch
    England is a Bitch, 1982
    Mixed media and collage on paper
    41 x 55 in (104.1 x 139.7 cm)
    Series: Police State
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  • Welcome to the City of Gold (South Africa, Too Much Blood on the Gold)
    Welcome to the City of Gold (South Africa, Too Much Blood on the Gold), 1983
    Mixed media on canvas
    70 x 56 in (177.8 x 142.2 cm)
    Series: How to Commit Suicide in South Africa
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  • South Africa, Woman Tied to a Pole
    South Africa, Woman Tied to a Pole, 1983
    Graphite and collage on paper
    30 x 22 in (76.2 x 55.9 cm)
    Series: How to Commit Suicide in South Africa
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  • NO Peoples Republic
    NO Peoples Republic, 1983
    Graphite, charcoal, synthetic polymer paint, and cut-and-pasted printed paper on paper
    26 1/2 x 34 1/2 in (67.3 x 87.6 cm)
    Series: Police State & How to Commit Suicide in South Africa
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  • The Children Are Going Insane (The Night is Red)
    The Children Are Going Insane (The Night is Red), 1983
    Graphite and collage on paper mounted on canvas
    73 1/2 x 69 1/2 in (186.7 x 176.5 cm)
    Series: How to Commit Suicide in South Africa
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  • It's Like a Jungle (The Message)
    It's Like a Jungle (The Message), 1982
    Mixed media and collage on paper
    60 x 40 in (152.4 x 101.6 cm)
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  • Mingus
    Mingus, 1983
    Mixed media and collage on white wove paper
    30 x 22 in (76.2 x 55.9 cm)
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  • It's Not Safe
    It's Not Safe, 1983
    Mixed media and collage on paper with canvas backing in places for support
    83 1/2 x 120 in (212.1 x 304.8 cm)
    Series: Police State
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  • Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch
    Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch, 1983
    Mixed media and collage on paper
    7' 7 5/8" x 9' 5 1/4" (232.7 x 287.7 cm)
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  • Woman Walks into a Bar (Gray Rape)
    Woman Walks into a Bar (Gray Rape), 1983
    Graphite on paper
    40 x 50 in (101.6 x 127 cm)
    Series: Women's Rights
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  • White Rape
    White Rape, 1983
    Mixed media on wallpaper
    72 x 48 in (182.9 x 121.9 cm).
    Series: Women's Rights
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  • Romance in the Age of Raygun (aka Wisconsin Rape)
    Romance in the Age of Raygun (aka Wisconsin Rape), 1984
    Oil and mixed media on canvas
    75 × 55 1/2 in (190.5 × 141 cm)
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  • Black Rape
    Black Rape, 1984
    Collage and paint on canvas
    84 x 60 in (213.4 x 152.4 cm)
    Series: Women's Rights
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  • Spotlight (Vivisection)
    Spotlight (Vivisection), 1984
    Mixed media on thin white wove paper
    30 x 22 in (76.2 x 55.9 cm)
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  • Launch Lunch: Biological Determinism (aka An Understandable Error)
    Launch Lunch: Biological Determinism (aka An Understandable Error), 1984
    Watercolor on paper
    9 x 10 5/8 in (22.9 x 27 cm)
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  • Breaking (aka Breakdancers)
    Breaking (aka Breakdancers), 1984
    Mixed media on canvas
    7' 7" x 10' 1" (231.1 x 307.3 cm)
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  • Jobs Not Guns
    Jobs Not Guns, 1984
    Gouache and watercolor on paper
    10 3/4 x 8 1/4 in (27.3 x 21 cm)
    Series: Police State
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  • Greed
    Greed, 1984
    Mixed media and collage on canvas
    74 1/2 x 55 in (189.2 x 139.7 cm)
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  • Mine
    Mine, 1984
    Oil on board
    56 x 36 in (142.2 x 91.4 cm)
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  • Spilling Blood
    Spilling Blood, 1984
    Pencil and red paint on paper
    20 x 30 in (50.8 x 76.2 cm)
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  • Going Over the Fence (War Resister at Missile Silo)
    Going Over the Fence (War Resister at Missile Silo), 1984
    Graphite, collage, and mixed media on paper
    50 x 73 1/2 in (127 x 186.7 cm)
    Series: Police State
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  • Riot
    Riot, 1984
    Mixed media and collage on paper
    38 7/8 × 57 1/4 in (98.7 × 145.4 cm)
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  • Testing on Monkeys
    Testing on Monkeys, 1984
    Pencil on thin off-white wove paper
    8 3/8 x 9 3/4 in (21.3 x 24.8 cm)
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  • Crystal Night
    Crystal Night, 1984
    Mixed media and collage on paper
    94 1/2 x 138 in (240 x 350.52 cm)
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  • Welcome to R.A.F. Greenham Common
    Welcome to R.A.F. Greenham Common, 1984
    Mixed media and collage on canvas
    50 3/4 x 73 1/2 in (128.9 x 186.7 cm)
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  • Let Them Eat Cake
    Let Them Eat Cake, 1986
    Oil on canvas
    70 1/2 x 55 1/8 in (179.1 x 140 cm)
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